Don Giovanni - W. A. Mozart
About Mozart - "Life in 90 Seconds"
http://www.geocities.com/Vienna/Strasse/2915/life.html
About Don Giovanni
Drama Giocoso - 2 Acts
http://opera.prohosting.com/sarir/don%20giovanni.html
http://www.objectivistcenter.org/navigator/articles/nav+jkern_mozart-don-giovanni.asp
SYNOPSIS
ACT I:
Seville, 1600s. At night, outside the Commendatore's palace, Leporello grumbles
about his duties as servant to Don Giovanni, a dissolute nobleman. Soon the
masked Don appears, pursued by Donna Anna, the Commendatore's daughter, whom he
has tried to seduce. When the Commendatore himself answers Anna's cries, he is
killed in a duel by Giovanni, who escapes. Anna now returns with her fiancé, Don
Ottavio. Finding her father dead, she makes Ottavio swear vengeance on the
assassin.
At dawn, Giovanni flirts with a high-strung traveler outside a tavern. She turns
out to be Donna Elvira, a woman he once seduced in Burgos, who is on his trail.
Giovanni escapes while Leporello distracts Elvira by reciting his master's long
catalog of conquests. Peasants arrive, celebrating the nuptials of their friends
Zerlina and Masetto; when Giovanni joins in, he pursues the bride, angering the
groom, who is removed by Leporello. Alone with Zerlina, the Don applies his
charm, but Elvira interrupts and protectively whisks the girl away. When Elvira
returns to denounce him as a seducer, Giovanni is stymied further while greeting
Anna, now in mourning, and Ottavio. Declaring Elvira mad, he leads her off.
Anna, having recognized his voice, realizes Giovanni was her attacker.
Dressing for the wedding feast he has planned for the peasants, Giovanni
exuberantly downs champagne.
Outside the palace, Zerlina begs Masetto to forgive her apparent infidelity.
Masetto hides when the Don appears, emerging from the shadows as Giovanni
corners Zerlina. The three enter the palace together. Elvira, Anna and Ottavio
arrive in dominoes and masks and are invited to the feast by Leporello.
During the festivities, Leporello entices Masetto into the dance as Giovanni
draws Zerlina out of the room. When the girl's cries for help put him on the
spot, Giovanni tries to blame Leporello. But no one is convinced; Elvira, Anna
and Ottavio unmask and confront Giovanni, who barely escapes Ottavio's drawn
sword.
ACT II:
Under Elvira's balcony, Leporello exchanges cloaks with Giovanni to woo the lady
in his master's stead. Leporello leads Elvira off, leaving the Don free to
serenade Elvira's maid. When Masetto passes with a band of armed peasants bent
on punishing Giovanni, the disguised rake gives them false directions, then
beats up Masetto. Zerlina arrives and tenderly consoles her betrothed.
In a passageway, Elvira and Leporello are surprised by Anna, Ottavio, Zerlina
and Masetto, who, mistaking servant for master, threaten Leporello. Frightened,
he unmasks and escapes. When Anna departs, Ottavio affirms his confidence in
their love. Elvira, frustrated at her second betrayal by the Don, voices her
rage.
Leporello catches up with his master in a cemetery, where a voice warns Giovanni
of his doom. This is the statue of the Commendatore, which the Don proposes
Leporello invite to dinner. When the servant reluctantly stammers an invitation,
the statue accepts.
In her home, Anna, still in mourning, puts off Ottavio's offer of marriage until
her father is avenged.
Leporello is serving Giovanni's dinner when Elvira rushes in, begging the Don,
whom she still loves, to reform. But he waves her out contemptuously. At the
door, her screams announce the Commendatore's statue. Giovanni boldly refuses
warnings to repent, even in the face of death. Flames engulf his house, and the
sinner is dragged to hell.
Among the castle ruins, the others plan their future and recite the moral: such
is the fate of a wrongdoer.
by John W. Freeman - Opera News